Sunday, February 25, 2018

A Cuesheet for Laibach’s Macbeth

Macbeth is a wonderful soundtrack album by Laibach for a German stage production from 1987/88. But for some reason the CD has been presented with one physical track. But this is just not a good basis if you want to put the music on a portable device.

Now, if you happen to own the CD with the MusicBrainz DiscID “xylv7ouv0Xq23nPDq6Q.I_xCZ9o-” (the same as I do), here’s the cuesheet (EAC-style) so you can split the single track into the 11 music tracks of the album:

PERFORMER "Laibach"
TITLE "Macbeth"
CATALOG 5016025610709
FILE "Laibach - Macbeth.wav" WAVE
  TRACK 01 AUDIO
    PERFORMER "Laibach"
    TITLE "Preludium"
    ISRC GBAJH0401210
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    PERFORMER "Laibach"
    TITLE "Agnus Dei (Acropolis)"
    INDEX 01 01:04:15
  TRACK 03 AUDIO
    PERFORMER "Laibach"
    TITLE "Wutach Schlucht"
    INDEX 01 05:37:31
  TRACK 04 AUDIO
    PERFORMER "Laibach"
    TITLE "Die Zeit"
    INDEX 01 10:04:38
  TRACK 05 AUDIO
    PERFORMER "Laibach"
    TITLE "Ohne Geld"
    INDEX 01 11:16:41
  TRACK 06 AUDIO
    PERFORMER "Laibach"
    TITLE "U.S.A."
    INDEX 01 15:10:31
  TRACK 07 AUDIO
    PERFORMER "Laibach"
    TITLE "10.5.1941"
    INDEX 01 15:59:18
  TRACK 08 AUDIO
    PERFORMER "Laibach"
    TITLE "Expectans Expectavos"
    INDEX 01 16:30:43
  TRACK 09 AUDIO
    PERFORMER "Laibach"
    TITLE "Coincidentia Oppositorum"
    INDEX 01 21:43:45
  TRACK 10 AUDIO
    PERFORMER "Laibach"
    TITLE "Wolf"
    INDEX 01 26:04:38
  TRACK 11 AUDIO
    PERFORMER "Laibach"
    TITLE "Agnus Dei (Exil und Tod)"
    INDEX 01 27:08:02

I hope this is helpful to some of you!

Monday, January 01, 2018

My Top Albums 2017

Last year was a again a good year in music and I have listened a lot of music. Thanks to a bluetooth connection between my smartphone and my car hi-fi I can finally even scrobble my listens while driving my car. I also needed to find a good combination of Android apps to allow this scrobbling. I tried several this year from Phonograph to foobar2000 before settling on MediaMonkey with the Simple Last.fm Scrobbler in the background.

Top 10 Albums of 2017

I use Last.fm which despite its shortcomings is still my choice. One of its weaknesses are the lack of unambiguous identification of homonymous entities, especially artists. The other one is that the number of tracks counts independent of track length. It will thus put an advantage to short tracks over long tracks. So one may listen to an album of ten three-minute songs followed by an album featuring one single track running a full hour: despite the much shorter run time of the first album (half an hour instead of one hour), it will top the second album in every count as most listened artist and most listened album.

But despite this systematic error I’ll use Last.fm to give you my top ten albums of 2017.


  1. Divergent

    by Pandora’s Black Book



    Originally released in 2012 on Raumklang Music, James Church’s industrial IDM kinda slipped into my top ten list, almost unnoticed.
  2. Oil, Steel & Rhythm

    by Komor Kommando



    Sebastian Komor was quite ubiquitous in 2000s industrial music with Komor Kommando being his only project bearing his name. Originally released in 2001 on Alfa Matrix.
  3. 3-D The Catalogue

    by Kraftwerk



    Technically 3D The Catalogue is a live album but the complete lack of any live sound makes this eight-CD collection rather a remix album.
  4. 8:58

    by 8:58



    Paul Hartnoll of Orbital fame released his second solo album under the moniker 8:58. The Deluxe Edition features the whole album in instrumental glory which I definitely prefer.
  5. Born in Ruins

    by Blac Kolor

    Released in 2016 on Basic Unit Productions, Hendrick Grothe crafts wonderful industrial IDM. Also available here.
  6. New World March

    by Haujobb



    Haujobb, whose label brought us Born in Ruins, also appear on this list with their 2011 album.
  7. RR7349

    by S U R V I V E



    Among the discoveries that I have made when finding the label Relapse Records thanks to Zombi was S U R V I V E. Deeply steeped in 1980s music, two of its members later became famous in their own right when they created the music to a popular Netflix series.
  8. Blade Runner 2049

    by Hans Zimmer & Benjamin Wallfisch



    Proclaiming that the music isn’t as good as the original by Vangelis is an easy thing to say but doesn’t do the music justice. Of course it is more than just a bit reminiscent but after all that was the aim. The big disadvanted of the vinyl is of course that it is difficult to leave out those tracks by Frank Sinatra and Elvis Presley as they disrupt the atmospheric flow of the music.
  9. Mayhem

    by Steve Moore



    Steve Moore and Anthony Paterra of the band Zombi have easily become two of my favorite artists during the last year. Mayhem is the latest solo outing of Steve Moore.
  10. Stranger Things, Vol. 1

    by Kyle Dixon & Michael Stein



    Stranger Things was enormously big last year on Netflix and it part also thanks to its music. While the music is perfect for the series and thus incited me to listen to it upon purchasing the album, as stand-alone music it falls a bit flat.